

VANDAL has delivered the large-scale projection content for Sydney New Year’s Eve 2026, turning the Sydney Harbour Bridge into a glowing, animated celebration of colour, movement, and the arrival of a new year.
Commissioned by the City of Sydney, the work brought a creative approach inspired by Australia’s native plant life to life at an enormous scale. Across the evening, the bridge shifted from solid stone to living surface, as botanical forms bloomed, climbed, and flowed across the pylons and structure -- playful, energetic, and constantly evolving.
The projection content was developed using real DNA sequences from Australian native plants, created in collaboration with the Botanic Gardens of Sydney.

These genetic datasets were translated into visual parameters within VANDAL’s generative animation workflows, shaping how each form grew, moved, and transformed. Rather than a fixed set of animations, the visuals behaved like a living system -- organic, rhythmic, and full of momentum.
Throughout the night, the projections played out in cycles, gradually building in scale, density, and colour as midnight approached. When the clock struck 12, the visuals expanded across the full bridge, synchronised with music, fireworks, and lighting to mark the moment Sydney welcomed the new year.
The midnight sequence was the result of close collaboration across the New Year’s Eve creative team, with projections, fireworks, lighting, and music developed side by side to ensure everything landed together.
Huge crowds gathered around Sydney Harbour to experience the celebration in person, with crowds lining the foreshore from early in the day. The Harbour Bridge projections became a focal point for both live audiences and the global broadcast -- helping set the visual tone for one of the world’s most recognisable New Year’s Eve celebrations.
VANDAL’s scope included creative direction, concept development, generative animation design, and the delivery of projection content mapped specifically to the form and scale of the Sydney Harbour Bridge.
The project required close coordination with city stakeholders, event producers, and technical partners to ensure seamless integration across visuals, fireworks, music, and broadcast timing.
The New Year’s Eve project continues VANDAL’s work in large-scale public projection and immersive storytelling -- using technology not just to impress, but to bring people together for moments that feel collective, joyful, and unmistakably Sydney.